The Battle for Harmatia has begun…
Cover Art by Stef Tastan
The Harmatia Cycle © Madeleine E. Vaughan
The Battle for Harmatia has begun…
Cover Art by Stef Tastan
The Harmatia Cycle © Madeleine E. Vaughan
Yes, you saw that right. After much deliberation, I have decided to split the third installment of The Harmatia Cycle into two books. This decision came when I found the book was getting far too big, and that I was having to cut important parts out. The story demanded to be two books in order to be told properly, and so I have obliged. Book 3 will be released this year, all being well, with Book 4 coming shortly after. Titles and covers will appear a few months before release.
Another discovery I made whilst writing Book ¾, was that there was an empty space in the back-story of how everything came to pass. As such, I am going to be writing a short novella following Torin Merle and Eliane of the Delphi, and the events that transpired between them before Rufus’s birth. This will not be necessary reading for anyone who wants to finish the series, but will add an extra layer for those readers who love a big fantasy world!
I have also been working on a short scene which will be released soon. This is a section from Blood of the Delphi, but told from another character’s point of view. The short-story follows Marcel during Zachary’s illness in book 2, giving an insight into the character dynamics as seen by Zachary’s more observant, clear-minded and fiercely loyal second in command. I wrote this as part of a writing exercise, but thought my readers may enjoy this insight during a time that wasn’t covered by the book. This will be released soon (on what platform, I haven’t decided), but you can sign up to my newsletter to get a FREE copy before anyone else.
Interested in attending? Please add yourself on the event’s page!
Waterstones, Winchester can be found here:
To celebrate the re-release of The Sons of Thestian, I will be holding a colouring competition between October and November 20th.
A small series of Harmatia Cycle art (Including above designs by Amelia Mackenzie) will be released, and you will have the opportunity to colour the images. Entries can be done digitally, or printed out and coloured traditionally! What’s more, there are no limit to the number of entries permitted, meaning you can colour all the images if you want, or even do the same one twice!
There will be a number of prizes available, and top entries will be featured on my website and on my tumblr.
For more details about the prizes, and how to enter, please check back to my website in October, or subscribe to my newsletter and have all the details and download links sent straight to your inbox at the beginning of the month!
Rufus Merle is a wanted man. After twelve years on the run, raising the infant Prince Joshua, the last of the Delphi line now stands in grave peril. Sick, friendless and out of places to hide, Rufus and Joshua are hunted by dangerous alchemists, a deranged assassin, and a powerful faerie goddess, who will do everything in her power to turn Rufus into a living weapon.
With the net closing around them, and the sparks of unrest and rebellion igniting across the Kingdom, Arlen Zachary is forced to question his own allegiance between the Crown, and the people he swore to protect. As the gods play their hands, and the ancient Sidhe prepare to settle a century old feud, Harmatia trembles under the tyrannical rule of a King, whose only commitment is to the dead.
Hello my wonderful readers!
I have some very important news for you all. Last night, my Publisher The Zharmae Publishing Press announced that they would be closing down. As of the 31st of August, The Sons of Thestian will no longer be available for purchase.
The news came suddenly, but fortunately I have a back-up plan, which I will now be implementing.
For those of you waiting for Blood of the Delphi, it is still going to be released! I have decided to self-publish my work, and though I may have to push the publishing date (possibly to December), I am going to be fighting tooth and nail to make sure that the book is released this year!
What’s more, I will be publishing the 2nd Edition of The Sons of Thestian hopefully at the same time, for any who want a new, matching set.
I will be working on making sure the prices for the books are lower, that the quality is higher, and that they are more easily available for anyone who wants to read them.
As I try to sort through this process and get everything together, I
cannot guarantee that there won’t be further delays. These delays are as frustrating for me, as they are for you, and I hope you will all be patient with me. Your readership, your support, is incredibly important to me, and I want you all to know how much I appreciate it and your loyalty.
I hope you will continue to support me, and my work. I will post updates as regularly as I can, and the moment I have more information, I will make it available.
In the meantime, you can expect the following from me:
1) I will be publishing a short-story with the Random Writers this September. This is a short based on my next project The Kestrel Saga, and I am incredibly excited to share it. More details to follow.
2) I will be releasing images for the Cover-art for Blood of the Delphi, and will be commissioning new matching cover-art for The Sons of Thestian, which will also be released soon.
3) I will be working on designs for merchandise, and other nick-knacks for any fans who may be interested (Message me, and tell me what you’d like! – Notebooks? Stickers? Badges? Posters?)
I am, as always, open to any questions or queries, and will remain highly active in the coming months. I will be seeking the advice of other writers who have gone down this path, and will be doing my upmost to get it all right and perfect for you guys.
Again, I ask your patience during this time, your continued support and thank you for everything you’ve done so far. I have some exciting plans for the future, and I hope you’ll all be there to see me realise them!
In the meantime, if you would like to keep track of what’s happening, please show your support by subscribing to my monthly newsletter here!
Many thanks everyone!
Today is the day! Over the last month and a half, I have received a good selection of entries, and judging them has been an extraordinarily difficult task for me, not least because of the level of work.
Due to this, I have judged Art and the Written entries separately, as I felt that was only fair. As such their will be prize-winners from both sections.
Before I begin, I would like to say how much I appreciated each entry. They were each extraordinary pieces of work, and I am so proud and honoured to have received them. You cannot know how much your efforts have meant to me, and I will be forever grateful for your support.
Each piece has been given an individual critique below. Writing Entrant winners will be announced tomorrow (31/05/2015).
CONGRATULATIONS TO OUR PRIZE-WINNERS
1st Place: Red Cap by Thomas Fummo
2nd Place: Rufus Merle: La Mort by Rebecca Welch
3rd Place: Rufus Merle by Hamish Steele
Red Cap by Thomas Fummo
The winning entry. There is nothing I don’t love about this picture. Whilst all of the entries were very good, each boasting a different artistic style, The Red Cap is to me a perfect specimen. The attention to detail is immaculate, and the picture totally captures exactly how I imagined the Red Cap should be. The textures, the way the skin hangs both loose and yet tight, the single nostril, the red eyes, the lanky limbs and above all the beak like teeth…You have a great talent for drawing monstrosities Thomas, and on this occasion you’ve really outdone yourself.
If ever anyone wants to know what I envisioned the Red Cap as, I will be directing them to this picture.
Fae by Thomas Fummo
Your rendition of Fae is incredibly pleasing to me! I love the scars, the design of her weapons (all of which you noted and drew!) and her stance, like she’s going to spring out of the screen. For Fae, who is often drawn in a passive way, I liked seeing her looking so fierce and battle-ready, like the warrior she is! You captured her essence perfectly.
Rufus Merle: La Mort by Rebecca Welch
Where do I even begin? The concept is fantastic, and your line-work as always is horrifically enviable. The more you look at this picture, the more details you pick out, and that’s especially what I love about it. You’ve encapsulated the character extraordinarily well, throwing in hints and clues. As always, the way you draw the folds in clothes is wonderful, and I cannot fault you for the anatomical accuracy (those hands!). I am totally charmed by his picture; it could really be ‘La Mort’ in a genuine Tarot Deck, and maybe when I have enough money, I’ll commission you to make the whole thing!
My only quibble, and it is a small one, is that you didn’t have time to colour it, which would have really completed the picture. This, I understand, but it is a shame. Regardless, La Mort is a fantastic piece of work and among my absolute favourites.
Rufus Merle by Hamish Steele
As always, I am charmed by your style. Everything from the pose to the bright colours is just brimming with life and character, and this picture looks like a professional poster for a genuine cartoon! I am especially fond of the details on the clothing and Rufus’s expression. It is clear you drew on the front-cover and the book trailer to inform Rufus’s look, and I especially love the long coat with the fur-line and the boots. Adding the magic was a wonderful, extra touch which just completes the whole thing.
Luca by Amelia Bull
As a big fan of Art Nouveau, I was delighted to see Luca drawn in this way, not least because the style totally compliments the character, and you spent time investigating how she should be dressed and appear. The colours compliment her, and I am very pleased by how anatomically correct she is in build and size. This is a very beautiful homage to the character, and one that I have put up very proudly on my wall. I apologise for not being able to load a better scanned version.
Athea Ascending by Jules Ironside
This is an incredibly vibrant and striking picture. I can imagine it would be even more impressive on paper, and was very struck by its regality and power. The new design of Athea’s staff was creative and interesting, and I liked the touch of the sand turning into a different colour (Almost reminiscent of oxidised blood, though that of course isn’t actually blue!). I think the thing that gets me most about this picture is the eyes, as they really do stand out and are very piercing. You’ve certainly captured Athea very well.