The Silver Cloak

 

There was something silver glittering in the forest. It twinkled in the corner of Sorcha’s eye, as inviting as a fishhook.

Monsters hide behind pretty masks, they said, but Sorcha couldn’t look away.

The silver thing rippled. It was a cloak of light, shifting weightlessly in the air. It would be so soft against her skin, Sorcha knew, so breezy and cool, like chiffon woven from secrets.

Monsters hide behind pretty masks, but the cloak was the loveliest thing Sorcha had ever seen.

The silver fabric rippled lazily, it’s trimming burning with an intricate weave of sunlit thread, as thin as spider-web. It was tailored for a God. Never-mind the scratchy woollen shawl around her shoulders, if Sorcha were to wrap that cloak around herself, she’d become the shimmering night sky itself, a constellation of stars.

Monsters hide behind pretty masks, but Sorcha stepped off the path, mind clouded by a green haze of envious desire.

At the corners of the cloak, translucent figures floated on dragonfly wings. They were sprites—small and fantastical, born from the first touch of sunlight on morning dew. Sorcha crept like a huntress, watching as they plucked the winter mist and spun it with dainty hands, weaving it into the beautiful cloak.

Monsters hide behind pretty masks, but the sprites were so small, as fragile as insects, unaware of Sorcha’s watchful eyes.

And so, carefully—so very carefully—Sorcha reached out, and caught the closest sprite in her hand. One squeeze, and the body broke apart like a dried leaf, leaving a glistening stain of gold across her palm.

The second sprite’s scream was like a blackbird’s call, but with shimmering fingers, Sorcha silenced it, and the silver cloak drifted down into her waiting arms.

She threw it around her shoulders and its gleaming aspect transformed her instantly. Her dun brown hair shifted into a cascade of autumnal chestnut, her black eyes deepened into pools of night, and her pockmarked skin become as fresh, and lovely as new snow.  She was a Queen, in a cloak of secrets, mist, and stars.

I guess it’s true, Sorcha thought, admiring her reflection in her gold-stained hands. Monsters do hide behind pretty masks.




This piece of flash-fiction was written for one of my classes. We were told we could write about anything, but the story had be 365 Words, one for each day of the year. As someone who struggles to write short work, this was an interesting and enjoyable challenge for me.

I wrote a couple of 365 Word Stories, but this was my favourite. The traditional fairy tale structure lends itself to flash-fiction—a simple story, with strong imagery, ending with a conclusive lesson. The Victorians did a fine job of tailoring fairy tales to be about how good women should behave—dishing out punishments for ‘transgressions’ like confetti at a wedding. As such ‘fairy tale endings’ are often quite transparent. Justice served, goodness rewarded, evil vanquished. It’s so ingrained, not even I expected Sorcha to win, until she did.

It made the whole thing deliciously vicious, and rather than modern…I feel like I’ve ended up telling a very old story instead. One that was never sanitized. One that ought to be remembered.

THE VAUGHANS IN JAPAN – CHAPTER THREE: KUMAMOTO!

Having finished out adventure in Kyoto, we caught the Shinkansen to Shinkobe late in the morning, and then changed there for Kumamoto. This journey, which took between 3 to 4 hours was a little less comfortable then some of the others, simply because it involved going through a lot of tunnels, which I found a little irritating on my ears. Dad had no similar qualms, so it may have just been me! People who are prone to discomfort at atmosphere and pressure changes may want to take some gum with them, and a hefty set of headphones!

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There are no ninja in Japan

It was bright and sunny when we arrived in Kumamoto. We were immediately greeted by the disembodied head of a rather large (cartoon) bear in the entrance of the station. This is the mascot of the area, and visitors to Kumamoto will find him almost everywhere they go in the region. It took me a few days to put two and two together and realise why ‘Kumamoto’ had chosen a bear to represent them—(Kuma means bear in Japanese).

Our hotel, the APA was fairly standard and straightforward, but was well priced and put us in a good position for access to the rest of the city, the trams and the large arcades where we went to eat most nights.

Kumamoto is boasted as one of the friendliest places in Japan, though I will warn visitors that this area is a little more off the beaten track! Unlike Kyoto, which caters for vast amounts of tourists, we were among very few foreign guests at the hotel and in the city. A few of the restaurants had English menus, but on our first night we had to contend without—my Japanese was rather put to the test!

Fortunately, a lot of Japanese restaurants have a rather useful habit of including pictures, if not full-scale model displays of their food. This is incredibly useful for both those pesky tourists and for people who love a good visual when deciding what to eat.

We had soba noodles, then wondered back toward our hotel, stopping off in a bar-restaurant which would actually become a regular haunt of ours for the duration of our visit to Kumamoto. Dad got himself a beer, and I ordered some delicious plum wine.

For those who enjoy sweet or dessert wines—plum wine is the treat for you. That being said, they’ll offer it to you straight or with soda. Get it with some soda—even just a little. The wine is quite thick, and having finished a glass of it straight, I did feel a little queasy afterward and had to lie down. I corrected my mistake the following night and had no similar problems.

As a city, our first impression of Kumamoto was that it was bright and lively. It helped that we came out on a weekend, because there were lots of people about, but there was definitely the feel of ‘life’ here. The city was one that enjoyed sunshine and it had a slight ‘sea-side’ feel to it. Dad insisted that the sea wasn’t that close, but I smelt the difference in the air, even if there wasn’t a beach nearby.

 

Day 1 – The Crumbling Castle and the Golfer’s Nightmare

 

Kumamoto castle is one of the city’s biggest attractions, and draws a decent number of visitors every year. However, as Dad and I approached it, cameras at the ready and smeared in sun-cream, we weren’t expecting the crowd that greeted us.

The main entrance to the castle was closed, but signs directed us around a small shopping area where a three pronged queue of hundreds of people curled all the way around a grassy verge, up a flight of stairs and toward the castle-grounds.

Like any self-respecting Brits, we joined the back, and were pleased that—despite its size—the crowd was quite fast moving.

“This castle must be really popular,” I mumbled, whilst Dad craned his neck, eyes narrowed in suspicion.

“Hm,” he said.

After some time, we were able to make it up toward the castle entrance, only to find a huge mass waiting for us. Massive beach-balls were being thrown into the air, and someone was talking on a mic. There was music and chatter, and mile long queues for cabin toilets.

“Did we step through a portal into Glastonbury?”

“Hm,” Dad said, eyes still narrowed.

We advanced toward the wall of people, trying to see if there was actually anyway into the castle itself, which was on our left. Some investigation later however, and we discovered that there was no way into the castle because it was closed.

Upon closer inspection we saw exactly way.

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Kumamoto Castle – Damage from the Earthquake

In 2016 Kumamoto suffered from a significant earthquake. The castle suffered significant damages to the outer walls and the roof, behind which a huge orange crane (work machine, not the bird) sat poised, paused in its work.

This was, as you can imagine, rather a disappointment—we’d been keen to see the castle, but understandable safety regulations prevented us from even getting close to the rather impressive building.

We pushed through the dense crowd, like Scott and his men wading into the Antarctic—mystified, wary, and—in my case—grossly unequipped for the environment. Dad, a regular festival goer, and almost a head-taller than most of the people around him, was fine as he slipped through the crowd. I—claustrophobic, bad-legged, and at just the right height to be blinded by wide-brimmed hats and parasols—struggled a little more.

As we broke through the thicket into a slightly clearer area on the other side of the mass, we noticed that most of the crowd were facing toward the castle, watching it keenly. Clearly something was about to happen.

For a wild, and terrible moment, I thought we were about to be witness to the castle being bulldozed, and then I had the good sense to just ask someone who was poised ready, with a camera facing up to the sky.

“What everyone wanting to look at?” I asked in my broken Japanese.

The cameraman replied. I blinked stupidly and asked him to repeat. He did so. I continued to blink stupidly.

I didn’t understand a word.

Fortunately for Dad and I, a rather lovely young lady in-front of us turned around and explained in perfect English that that there was going to be an air-show. The event was to raise money for the castle repairs, and one of the pilots in the show was actually local to Kumamoto. Everyone had come out in force to see the spectacle, and support one of their own.

We got into conversation with the young lady, who had the most endearing accent—Japanese, but with the occasional twang of pure Australian! She’d spent some time in Perth, hence her impeccable English. She recommended a few places for us to go in the area, which we were very grateful for, as castle plan had fallen through.

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A Surprise Air-Show!

The conversation was cut off by the arrival of the aeroplanes. We watched, impressed, as they flew in perfect synchronicity across the sky, creating shapes out of cloud, and performing daring twirls and tricks. I pointed out that we were never at risk of missing a moment, because every time the planes disappeared, the crowd would quickly signal their return with a loud “Ooooh!”

Having seen our fill, and thanking our impromptu tour advisor, we detangled ourselves from the crowd and circled around the castle back onto the main-street.

There, we caught the tram—which was as efficient as the rail and bus service—and went down to Suizenji, an attractive garden park that circles a large pond.

Surrounded by city on all sides, the garden was a stretch of perfectly mowed knolls and hills, with trees, humungous fish in the water, and an attractive tea-house on the water’s edge.

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The masochist’s golf-course (Suizenji)

As I looked out over the immaculate grass, a Japanese flag flapping on the other side of the garden, I made the observation to my father that it looked like a masochist’s putting range. Dad snorted loudly.

The rest of the walk was occupied by internal observations on how this garden was unequivocally unsuited for golf. Robin William’s sketch, and my own brief experience with Golf came to mind several times.

We stopped at the Tea-house for a drink. The waitress looked aghast when I asked if they had any coffee, (for Dad, that is—I’m not a heathen) and quickly informed me that there was only one thing on the menu, as the name of the place suggested. Tea.

We accepted this, and sat by the water, taking in the sights as we sipped our hot beverages and nibbled on delicious Japanese cake.

As the afternoon came in, we were driven back to the hotel by an unmistakable force that neither cared what time it was, where we were, or that we were on holiday.

Glastonbury ticket resales.

Having missed the chance to grab tickets in the first go, Dad, Jonathan and a number of his friends had formed a team to try and grab tickets on the resale for the famous festival, which Dad and Jonathan have attended for nine consecutive years. The ultimate father-son tradition.

I opted to join in with their efforts, and at 17:00 sharp Japanese time, our afternoon transformed into a frenzy of button hitting as we refreshed the Glastonbury ticket page again and again.

It was over in a matter of minutes, and unfortunately—despite best efforts—we weren’t able to secure tickets for the Vaughan men. Disappointed, but counting the fortunate of having attending nine years in a row, Dad wasn’t in too bad spirits as we set out for dinner.

We went to Kome no Kura, a great little, Japanese restaurant, with private, tatami floored booths, and a menu that included local Kumamoto dishes. We tried a few of these, avoiding the horse dishes out of personal preference, and the whole meal was very much enjoyed! I can’t recommend the place enough!

 

Day 2 – The Christian Islands

Day two of our visit saw us heading out to explore the coast. One of the main reasons we chose to go to Kumamoto, was that I was curious what life along the sea was like.

The sea is the centre of many island communities. It is a giver and taker of life—it has inspired generations of stories and mythology. As well as dividing countries, it connects them through trade routes. It gives us beautiful shells and pearls, provides one of the main sources of food in Japan, and is a place of wonderment and beauty.

It’s also a frothy, thrashing pit of death, where you can ironically die of dehydration, if the exposure, hyperthermia, drowning or large flesh-eating aquatic animals don’t get you first.

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Tomioka Beach

It stands to reason then that I wanted to see how the Japanese lived alongside this turbulent monster, especially considering the occurrences of earthquakes and tsunamis in the country. In particular we wanted to see rural fishing life, so we headed up to Tomioka Magarizaki, taking the costal road from Kumamoto. Once again, we hired a car for the occasion, and the journey took about two and a half hours.

The beach, on arrival, was small and almost entirely deserted. Dad and I enjoyed walking up and down it, and collecting some shells. The smell of the sea was incredibly strong, and there was very little in the way of commercial spots. Two restaurants that looked over the beach were closed, and there were no shops of any kind. Visitors coming here for a classic day out on the beach with parasols and ice-cream, would certainly be disappointed.

Having done the beach, we went further inland up to Tomioka castle. This has an interesting history, in particular with reference to Christianity in Japan.

A little bit of a history lesson. During the 16th Century, Catholicism arrived in Japan via the Portuguese. Catholicism took hold in some areas, boasting up to 100,000 converts at the height of its success. In particular, Nagasaki and the Kyushuu area became a centre for Catholicism, up until the point it was outlawed by the Shoganate in 1620.

Between 1637 and 1638, the Shimabara rebellion broke out. Most of the rioters—peasants in the Shimabara peninsula and Amakusa—were Catholics. This is often cited as the reason for the turmoil, despite the facts the rebellion probably had a lot more to do with over-taxation and hunger, than religion.

After the rebellion was ended, special enforcements were thrown down against Christianity. It was punishable by death, and so Christians went underground. Believers who continued to practise their faith in secret became known as the Kakure Kurishitans (Hidden Christians), and little signs and clues can be found across Kyushuu of their presence.

During the rebellion, Tomioka castle, one of the Shoganate strong-holds, was attacked three times. After the rebellion ended, the castle was succeeded by Suzuki Shigenari. He recognised much of the true cause of the rebellion, and submitted a request to the shogunate to reduce the tax. The request was denied, and it is said that—in protest against this—Suzuki Shigenari actually committed hari-kiri (a very painful form of ritual suicide).

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The View from Tomioka Castle

Back to the castle itself—it was actually destroyed in 1670 by Toda Tadamasu. The building that now stands in its place is a reconstruction, with very few original features on the inside. That being said, it is still well worth a visit. For one—it’s free entry, and contains a pleasant exhibition. There’s also a museum on the site which you do have to pay for, that contains historical artefacts. Visitors should be warned, that the majority of the information and writing is in Japanese, though you are provided with a free English pamphlet that goes into detail about the history of the castle.

Outside, you will find four statues stood looking out of Tomioka. One of these is the rather grim-faced Suzuki Shigenari. Beside him is his brother, Suzuki Shosan, a priest and Shigenari’s political advisor. The other statues are of Katsu Kaishan and Rai Sanyo.

Standing at the top of Tomioka Castle and taking in the stunning view of the island and sea, you can understand why it was such an important stronghold, particularly during a time of great national isolation in Japan.

Having completed the Castle, Dad and I decided to go back along the costal route and stop off in Tsuji Island. This is a popular place to go Dolphin watching, and indeed most of the shops and businesses had Dolphin themed signs.

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A Tanuki pops out to say hello!

The Island is actually quite small, and is mostly residential, with a small diving club and a local harbour. Dad and I drove around the island and enjoyed the views, as well as spotting some surprise wildlife in the form of wild tanuki (Japanese racoon-dogs) and lots of cats.

We ended our tour of Tsuji island by stopping off at the Youmeru Spa, an onsen located in the middle of the island, up at the top. We didn’t have time for a dip, so we opted for some lunch instead, and then began the long, scenic journey back into Kumamoto city.

We ended the night with Ramen, having been advised to check out Ramen Komurasaki, another restaurant in the arcade. We both ate the signature ‘King Ramen’ dish, along with some steaming gyoza.

 

Day 3 – Into the Volcano

 

So, around when we were still planning our trip, and I expressed a desire to go to Kumamoto, Dad had a look at the area and said he wanted to go and see Mt. Aso, the largest active volcano in Japan. Dad was adamant about wanting to get to the top of it.

Cut to October, 2016 when an 11,000 metre column of ash was blown out of Mt. Aso as it erupted, ash reaching as far as the Island of Shikoku, 300 kilometres away.

I sent Dad a link on facebook. “Is this the Volcano you want us to go up?”

“Yep,” Dad replied merrily.

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Andrew Vaughan – Explorer Extraordinaire!

And thus, on our third and final day in Kumamoto, Dad and I got into the car and drove up to Mt. Aso. One of the things I have repeated again and again is how scenic the drives always are. I am not particularly taken by modern Japanese architecture, when it comes to cities. Houses aren’t really built to last, which in a country ravaged by earthquakes, seems rather wise. Driving through cities isn’t particularly fascinating, as far as views go. However, Japan is taken up hugely by mountains, and the moment you hit that lush natural world, there really is nothing like it. The colours, the variation…It’s magical.

We reached our destination, stopping off at Aso Volcano Museum. Unfortunately the cable-car that sometimes takes visitors up to the crater, wasn’t running. Toxic gas emissions were rising up from the mouth of the volcano, and Dad and I were pretty understanding on why it may not be a good idea for us to get too close.

Instead, we looked around the museum, and took the chance to take several thousand photographs of the amazing views around us.

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Fumes rising up from Mt. Naka

A little bit more on Mt. Aso.  It has a humungous caldera, with a circumfrance of around 120 km, and actually consists of five peaks, known as the Aso-Gogaku. It is Mt. Naka, on Aso, which is the current active volcano, and from where we were, Dad and I could see billowing fumes rising from its crater.

We also saw even more evidence of the destruction of the earthquake that had occurred the previous year. A monument stone up at the top of a hill had collapses, and the museum itself was undergoing repairs. Despite this, everything was open, and we were welcomed warmly. Dad, being the Science nerd he is, profited more from the museum that I did—though I do have a soft-spot when it comes volcanoes, however macabre that is.

Having exhausted ourselves with photographs there, we drove across to Daikanbo lookout, further north, to take a few more photos. The lookout, though quite busy, did offer some really breath-taking views and was worth the detour.

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Views from Mt. Aso

Then back to Kumamoto we went, and stopped off in a small restaurant that truly pushed my Japanese to the limit. No English menu, and no pictures either. I thought we were doomed until I spotted one word on the menu that I recognised (though, I didn’t actualy remember what it meant!). Taking a leap of faith, I ordered two of the dishes with some rice.

All turned out well as we were delivered cutlets of succulent, breaded pork and delicious steamed rice.

Dad and I then stopped off at the little restaurant close to the hotel, for our ritual drink (that plum wine really is delicious).

In conclusion for Kumamoto—

The Worst Part, on a touristy level, was not being able to see Kumamoto Castle, though this very understandable.

The Best Part was the warmth in which we were received, the excellent food, and the unique experience of seeing a less tourist driven, new side to the country.

THE VAUGHANS IN JAPAN – CHAPTER TWO: KYOTO!

Kyoto is one of Japan’s most famous and historical cities. Located in a valley surrounded by mountains, it’s the perfect union between the modern world and the ancient past. For many people Kyoto represents the heart of what Japan is, and there is something very magical about the way you can literally step seemingly from one world to another.

To get from Takayama to Kyoto, we took the wide-view train to Nagoya, and then changed onto the Shinkansen. The journey took about four hours in total, but was very comfortable. The weather, which had been holding up for us, turned and it was raining when we arrived at Kyoto station.

Before leaving for our hotel, we stopped in on the Shinkansen office to reserve our seats for the next few journeys—the trains were apparently filling up fast, so we felt it prudent to stay on-top of things!

Our hotel was the Hotel Sunroute Kyoto, a modern building within walking distance of Gion, one of the go-too places which I’ll discuss later. Tired from the journey, and unkeen on going back out into the rain, Dad and I decided to remain in the hotel and make use of the restaurant there. It was an Italian. We had pizza. Don’t judge.

DAY 1 – Nightingale Floor and the Golden Pavillion

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The Gardens of Nijojo

Day one of our Kyoto adventure began with a recommendation from one of my friend, Jules—the famous Nijōjō (Nijo Castle). The initial structure of Nijōjō was built in 1601, with work being added to it over the next 250 years, as well as restoration after a fire broke out in 1788. The home of the Shogunate for many years, Nijōjō was also the place where the Shoganate ended after Tokugawa Yoshinobu officially returned authority to the imperial court.

 

Putting aside the long and fascinating history of this spot, this is a real must-see for anyone who is coming to Kyoto. The gardens are rolling and lush, with plenty of photo opportunities—and if you’re fortunate enough to be here in Spring, you can really profit from the beautiful sakura trees. Inside the building itself, photographs are forbidden, in order to conserve the amazing screen door paintings across the rooms. These are replicas of the original, which are being conserved in a museum close but, but are deeply impressive none the less. The artistry and detail is gob-smacking, with depictions of huge trees, birds of prey and tigers and leopards too.

(Fun-fact—did you know that the Japanese and Chinese used to believe that Leopards and Tigers were the same species, and that every third tiger-cub was actually a leopard?)

The thing I liked most was the inside of the castle wasn’t lit artificially. The entire outer corridor of the building was surrounded by shoji, Japanese doors with translucent paper screens. These were all closed to help preserve the screens, but light still came through the paper. You could imagine how—on a sunny day—with all the screens pulled back to admire the gardens, the gold across the inner screen doors would blaze impressively. The Shogun really had an aesthetic.

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The entrance into Nijojo

Gardens, history and screen doors aside, the real gem of this entire castle has got to be the nightingale floor. This is an incredible feature—a floor that makes noise at the slightest pressure. These are squeaky floor-boards on the next level. The amazing thing though? It really does sound like a forest of birds singing. It was amazing to walk across the floor among a queue of people and listen to the cacophony of chirps and trills. At times, I felt sure that bird-song was subtly being played out of a speaker—but there were no electronics in sight, and I could even hear the floorboards underneath me! It really did send thrills up my spine and was a brilliant start to our Kyoto experience.

 

Having gone through the castle, our next destination was Kinkaku-ji (The Golden Pavilion). This is a famous site that most people will have seen before in photographs or on postcards, but that you can only truly appreciate in person. Before I go into it though, a small note on Japanese public transport.

It’s great.

I mean, honestly, it’s great. The trains are good, the bus system is simple and reliable, and there are maps everywhere. Having used public transport across the board in many countries, I can say without a doubt, that the Japanese system outranks everything—leaving most places in Europe far behind. Dad and I travelled across Kyoto almost exclusively by bus, purchasing one-day bus-paces at the train-station, which were great value and allowed us the liberty to go where we wanted.

The trip up to Kinkaku-ji was a little longer, and when we arrived it was incredibly busy. April tends to be so, because people are attracted by the good weather and the chance to experience those wonderful sakura blossoms. Kyoto is also a hot-spot for the Japanese as well, (much like historical cities in the UK, like Bath) so we were competing a little for space. That said, crowd-management in Japan tends to be quite good, at least in comparison to places like London.

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Kinkaku-ji

Kinkaku-ji doesn’t take very long to get around, and that’s because the only real feature that you go to see is the golden pavilion itself. This is actually quite a small building, which sits on the side of a lake, surrounded by luscious vegetation. The site is inviting for herons and other wild-life, who can be seen resting in the area. For all its size, Kinkaku-ji is very impressive—it really is gold, and when the sun comes out, it’s a dazzling display that you don’t want to miss.

 

Unfortunately for us, the clouds had come in, and the skyline was grey and uninspiring. Most people were happy to snap their pictures and move on, but Dad wasn’t having any of it. Poised with his camera, he was adamant we wait for a break in the clouds. And thus we waited, sitting on the side and nibbling Japanese sweets that we’d brought with us. I occupied my time by offering services as a photographer for other people. On a small side note, offering to take pictures of people on holiday is a great thing to do for others. Were it not for people offering to take pictures of us, Dad and I would never appear in the same photo, which would be rather sad. Whilst I don’t believe we should live our lives behind the lens of a camera, photos are an important part of preserving memories. Get them right, and you can immortalise a little bit of that day forever.

Dad’s gamble on waiting for the sun turned out to be a brilliant idea. The clouds, which had looked ominously endless broke, leaving us a clear sky and glorious bursts of sunshine. The pavilion lit up like a lantern, and I think I used up about half of my camera memory taking photos. There really is no comparison—that sunlight makes the experience of Kinkaku-ji!

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A Couple in Kimono by the river

Feeling we’d done rather well for ourselves, we turned back toward the hotel for a brief rest before dinner. A word to the wise—if you tour Japan like we do, don’t try to fill your days with too much, and take little rests throughout the day, drinking plenty of water. It’s easy to exhaust yourself in an attempt to get the most out of your trip, which ultimately means you don’t get the fullest experience of what you do see. Take your time, and stop off at one of the many cafes and tea-houses that are dotted around Kyoto to enjoy some local refreshments. Also, if you are walking about a lot, having a spare onigiri (rice-ball with flavouring on the inside) in your bag is always a good idea. I find they travel better than sandwiches, and besides—when in Rome…

After a rest at the hotel (which provided massage chairs in our hotel rooms—luxury!) we headed out toward Gion. Gion really stands at the heart of Kyoto nightlife, and has a history as Kyoto’s pleasure district. In the modern day, Gion is where you can go to see Geisha perform, enjoy good food, and soak in the upbeat atmosphere.

As with all of Kyoto, there is an interesting merger of modern and old in Gion, and if you’re in the area, I would suggest walking along the Shimbashi (also called Shirakawa Minami-dori) street, which runs along a canal, with original architecture and tea-houses all along it. You are also likely to spot lots of people in beautiful Kimono walking along here, though you will quickly discover that not all of them are Japanese! Kimono hire is common in Kyoto, and there are several places you can go to try these unique clothes on, and have your hair done especially. I didn’t get the chance to try it this time, but the prices for the hire are reasonable, and wearing a Kimono is a wonderful experience. Kimono can actually tell you a lot about the wearer—from the length of the sleeves, to the colours, motifs and the occasional inclusion of family crests.

Having walked past some very expensive restaurants along the river and canal, Dad and I eventually settled at another ramen bar. There we enjoy some local sake, gyoza (dumplings) and a big bowel of delicious ramen each. A perfect ending to a great day.

 

DAY 2 – Bamboo Forests & The Samurai Garden

Day two of our Kyoto adventure took us to Arashiyama, which is in the west of Kyoto, toward the mountains. We caught the bus from the train station to Arashiyama-Tenryuji-mae, from which we took a brief walk up toward the famous Arashiyama Bamboo Grove.

The first part of the walk is deceptive. You suddenly find yourself surrounded by bamboo forest on both sides, but the atmosphere is a far-cry from what is boasted to you—ethereal and peaceful. A tarmac path and heaving crowd hardly left room for inspiration, and I was just starting to feel a little cheated when he hit the actual Bamboo Grove.

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A ceiling of bamboo

This was still a tarmac path, which my knee was actually thankful for, but the experience was very different. The path narrowed and the long bamboo stalks bowed over our heads, embracing us secretively, whilst the leaves cast a strange green glow that was almost impossible to photograph. The rows and rows of bamboo blocked the whole world beyond it, and it was easy to believe that it just went on forever. It doesn’t surprise that there are several key Japanese myths that revolve around bamboo.

At the end of the path, you come up to Okochi Sanso, the estate of a famous Japanese actor, who was particularly remembered for his samurai films. The entry fee was steeper than anything we’d encountered so far, and Dad and I weren’t sure whether to go in. After some deliberation, and discovering that the fee also included a free cup of a tea and cake at the end, we decided to go in.

This turned out to be one of the best decisions of the holiday.

I mentioned before that strange phenomenon in Kyoto, where you can literally walk down a path and find yourself in an almost entirely different world—nowhere was this more the case than the Okochi Sanso.

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Colourful gardens of Okochi Sanso

Were it not for our clothes and our cameras, the modern world may have almost been forgotten. The walk up through the estate was peaceful, the garden hosting a wide selection of foliage, which scattered the canopy above and around is with a whole palette of colours. The most impressive thing by far, however, was the views. These were very special—and that’s coming from someone who doesn’t usually consider ‘views’ to be an acceptable reason to climb up anything.

Having soaked in the incredible mountain scenery, we enjoyed our free cup of Japanese tea and mochi (a type of traditional cake), and wondered back down the hill, in search of the Gio-ji Temple.

Just like you can’t walk two minutes through any old British town and not stumble into at least three churches, Kyoto is literally brimming with shrines and temples. Walk a kilometre in any direction and you’ll find a shrine, big or small. This is a large part of the city’s charm—the pockets of culture and history can be found in any corner. However, after your fourth or fifth in a row, the attraction of temples and shrines does start to lose its appeal…

If you like something strange, however, Gio-ji Temple may very well be for you, and that’s because of its famous, rather unique garden.

A moss garden.

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Gio-Ji Moss Garden

The temple itself is quite small, and a turn of the garden takes about five minutes if you really take your time. It is very zen however, and there is a great novelty to the experience. Gio-Ji comes highly recommended to everyone and anyone who just loves moss. You just don’t get moss like this anywhere else.

Tired from lots of walking and travel, and with the weather turning into something a little fresher, we decided to do our laundry at the hotel (many Japanese hotels have their own laundrettes!) eat in, and grab an early night.

 

DAY 3 – The Red Gates

Day three saw us heading down to Fushimi-Inari Taisha, a large red shrine which is a fairly iconic spot in Kyoto, and is featured in a lot of photographs.

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The Corridor of Torii

The main feature of Fushimi-Inari Taisha is the endless corridor of torii (the red shrine gates) that leads up into the forested mountain. The red gates themselves are donated by various families as part of the shrine, and they stretch on and on.

Unfortunately for us, we went on a very busy day, which made photo opportunities difficult. This was rather frustrating, as the red gates are really quite unique. However, there are several thousand of them, and the higher you go, the less people there are, with many stopping at the first rest-area and turning back.

“If there was ever a day where you take several thousand pictures of pretty much the same thing, it’ll be today,” Dad warned me, having walked it before. He was, as per usual, correct. I have more photos of red-gates on my computer now than I currently know what to do with…

The walk is actually quite long, should you decide to go the whole way up. I confess, I gave up at the last proper rest-spot, my leg weak at the prospect of another forty-minutes of walking. Dad went on and I enjoyed the view over Kyoto as I waited.

Other than red gates, visitors of Fushimi-Inari Taisha will also see a lot of stone kitsune (foxes) guarding smaller shrines all the way up. In Japanese mythology, foxes were both tricksters prone to possessing humans, but were also messengers of the Inari, gods of rice and sake.

Dad also pointed out that the area boasted a “sacred paddy field.”

“There’s a field of Irishmen up here?”*

Dad actually laughed at that.

(*I would like to apologise to all Irish men and women for this joke, and particularly to you, Séan. In my defence, I was very tired and you were on my mind.)

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Lanterns in a Gion Temple

We headed out to Gion again for dinner that evening, going to a sushi bar which was recommended to us by a member of staff at the hotel. Dad actually cited this as one of his favourite parts of the Kyoto trip. The sushi bar, located on Hanamikojo-dori street, was small, pokey and perfect. The food was great, the atmosphere lively, and the prices all very reasonable for what you were getting. I enjoyed a Plum-Liqueur and green-tea cocktail and proceeded to lecture Dad on proper sushi eating etiquette.

“You don’t put the rice in the soy-sauce! You dip the fish.”

“But he’s putting the rice in over there.”

“Yeah, well he’s doing it wrong.”

We left the bar on the tipsy side, full of delicious fish, and both a little giggly. What more could you want from a night out?

 

DAY 4 – The Philosophers’ Walk to the Market

We decided to take a more relaxed approach for our last proper day in Kyoto. Utterly shrined out, we perused the travel-book recommendations for other things to do. A recommendation from a friend, Chris, living in Tokyo was to check out the Testugaku-no-michi (the Path of Philosophy) which runs between Nyakuoji-bashi to Ginkaku-ji (the silver pavilion).

Ginkaku-ji is the twin, in many respects, to Kinkaku-ji, and whilst we missed it out this time,it is well worth a visit, as one of Kyoto’s most popular sites. Despite being called the silver pavilion, unlike Kinkaku-ji with gold, Ginkaku-ji was never covered in silver. It is, regardless, very impressive, with elegant gardens and beautiful architecture.

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Philosophy Cat

The Path of Philosophy led us along the canal, and is apparently a hotspot for cats, who can be seen patrolling the streets. According to signs that instruct visitors on how to conduct themselves around the cats, the cats are enemies of the crows. I enjoyed the image of an ancient tribal feud between the two species as I meandered along the path, under the umbrella of hanging tree branches and sakura.

We stopped half-way down at a tea-house where we enjoyed a traditional cup of tea and cake. Or, at least, I did. Dad asked for a coffee. Philistine.

As we sipped our hot beverages, we attempted to get into the spirit of the area.

“So, had any profound, philosophical thoughts?” I asked.

“Not really. You?”

“Oh yes—I’ve been thinking about Nietze.”

“Have you really?”

“No.”

The conversation then turned to A Fish Called Wanda, and that was our philosophising was done for the day.

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Blossoms on the tree

Having completed the Path of the Philosopher, our minds were apparently so taken by abstract thoughts and ponderings that the impossible actually happened—we got lost.

Or, more to the point, we got onto a bus and got off at the wrong stop. To be fair, we were both pretty tired at this point, and Japanese street names can be hard to remember, even if you are familiar with the language.

Despite this, we managed to find ourselves again, and after a delay we made our way to the final spot of the day—the Nishiki market.

Now, on paper the Nishiki market doesn’t sound like much. It’s a long, indoor food-market that sells Japanese, and particularly Kyoto specialities, boasting large selections of foods and ingredients, most of which I couldn’t name if I tried. The real reason you want to head to this market though, beyond its attraction as a corridor of curiosities, is that the smells are amazing. I defy anyone to walk down through the stalls and come out the other side without their mouth-watering.

The Nishiki market then leads onto even more shops, and this whole area is ideal for souvenirs, if you haven’t already loaded your bags up from the shrines and temples. I managed to find a number of gifts, and was just about to leave, feeling rather pleased with myself, when I saw there was also an Owl display.

Yes. A display of Owls.

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“I’M AN OWL!”

As someone who designed a family crest for herself featuring an owl, bought an owl stamp earlier that day, has a lot of owl memorabilia and lives in an apartment called “The Owls”, I think it is fair to say I am quite fond of the creatures…

Dad was a good sport and held my shopping for me as I dashed over.

I managed to get several (million) photos of these lovely birds, and was even permitted to stroke a few of the veteran owls, after my hand was especially disinfected.

I emerged about twenty minutes later, a wide grin on my face.

“Good?” Dad asked.

“Owls are great.”

“I know.”

Having walked a good ten kilometres that day, and with packing and writing to do, we headed back to the hotel. Pizza again for dinner (don’t judge) and an early night in preparation for the long journey to Kumamoto.

Worst Part of Kyoto—Big, bustling crowds and getting lost on the bus-route.

Best Part of Kyoto—The Nightingale Floor, Owls and Sushi.

 

 

 

 

The Vaughans in Japan – CHAPTER ONE: TAKAYAMA 2!

DAY 2 – THE CHOSHI WATERFALL

15th of April

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Water Feature at the Hotakasa Yamano Hotel

Rain greeted us on the morning of day two. Having been too tired and tipsy to complete the work I’d been planning the night before, I was busy tapping away on my laptop when Dad came by my room for breakfast. The weather forecast was grim, the sky an icy grey, so he proposed we spent the morning in the hotel, and head down to Takayama in the afternoon to see some museums.

 

Anxious to catch up on my work, and with very little in the way of warm clothes, I was quick to agree. We enjoyed a lazy breakfast together, and then went to relax (or work!) in our rooms. At around noon, the weather improved, and we set off into town.

Having been promised rain and wind, the sky had cleared by the time we reached Takayama.  We parked up at the top of the town and dropped into the Takayama Museum of History and Art, a well-put together and extensive exhibition that was free entry. The museum gave us a little more background into the Takayama festival, and went into detail about the old castle that was once at the top of the town.

Having completed the museum, we walked back down toward the Sanmachi area, and happened across a tiny antiques shop that I couldn’t resist poking my head into. It was full of great little knicknacks, and much to my delight, had a small collection of katana (the so-called ‘Samurai’ swords) on display. I examined a few longingly, wondering whether I could ask Dad to buy me one for my birthday (it wouldn’t be first time I’ve asked for a sword, and probably won’t be the last). Dad pointed out a katana probably wouldn’t fit in our suitcases, and that airport security might take issue with me trying to carry an offensive weapon onto an aeroplane. He must have seen how heartbroken I was, because we measured the katana and promised to return to the shop if it fitted into the bag.

Note—it didn’t fit, and there are pretty strict restrictions on the importation of swords and other weaponry into the United Kingdom. I am distraught.

After wasting a little more time fawning over the katana, we departed in search of the Takayama Archaeological Museum. We passed it about twice before finally spotting it, only to discover it was closed. The next museum on the list was the Fujii Folk Museum, but with only a few minutes to go before closing time, we decided we’d return the next day.

Grabbing an early dinner, and a few snacks for the evening, we turned homeward. The mountains were framed by the warm light of the setting sun as we drove back up to the hotel. However, with it still being quite early, and the two of us still hungry for a little adventure, we decided to take a brief detour on the way up and stop by the Choshi waterfall.

Now—for anyone who is thinking of going to the area, the Choshi waterfall is a pleasant little place to visit, and has several perfect spots for great pictures, but be warned it can be very snowy during parts of the season…

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Following the river to the Choshi Waterfall

We stopped off at the bottom of the path leading up, and saw that the road had actually been blocked off for cars. Dad, who’s been known to drag me kicking and screaming on several ‘short’ (long, very, very long) walks, actually turned around to me and asked whether I wanted to go up.

 

“It’s a kilometre away,” he said doubtfully.

In a moment of naivety I replied, “That’s fine—let’s go.”

A kilometre? I thought to myself, Hah—that’s nothing! I can do a kilometre easy.

Except it wasn’t just a kilometre. It was a kilometre uphill, through thick snow, with leaky trainers and a buggered knee. As the light rapidly disappeared around us, Dad marching on ahead so that he could get to the waterfall before it got completely dark, I began to reflect that this hadn’t been my brightest idea…

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The Forest of Mononoke

In the end, Dad made it to the waterfall, but I had to stop at the bridge leading up to it. The snow was too high for me to safely get through it, and so I waited. At some point during the walk, the surrounding forest had gone from scenic to sinister. I consider myself a rationale, critical person up until the light goes out, at which point—as with many writers—I am at the mercy of a whimsical and vivid imagination. As the sun disappeared behind the mountain and the first few stars appeared, I found myself recalling every Japanese folk-tale I’d ever heard, and was assaulted with a sudden, primitive feeling in my gut—we needed to go. The mountain was no place for us—forget Shiroyama park, if there was ever a place where the mononoke resided, it was here on this lonely mountain path, with the tall, dark, trees stood in eerie formation and the long, whispering stream.

 

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Night falls on the mountain

Dad took his sweet time getting back down to me, and I almost killed myself in my hurry to get through the snow back to the car.

 

“Slow down—we have plenty of time.”

“I’m trying to get down while we still have light,” I lied. At twenty-four, I wonder whether it’s acceptable to still be afraid of the monsters in the dark.

The creature comforts of the hotel—bath, biscuits, and free wifi brought me back into the twenty-first century. Now brimming with ideas and the mood to write, I joined Dad for a cup of sake, and then disappeared into my room to indulge my imagination in a more productive way.


DAY 3 – STEP INTO THE PAST

16th of April

Day three of our adventure was museum day. With a full list of things to do, we decided get into Takayama quickly, so that we could make the most of the day.

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A Sea of Mountains

Even so, as travelled down, the light proved particularly suitable for pictures, and as we passed a mountain range, Dad began to lament—“We should have stopped and taken pictures—those mountains were spectacular.”

 

“Let’s turn around and go back,” I suggested, even as Dad was already doing a rapid U-turn in a side-pass, grinning from ear to ear.

“You’re turning into me,” he said.

I took my pictures in mortified silence.

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The Hida Folk Village

Our first stop as we reached Takayama was the Hida Folk village. Rather than an actual village, this is a museum that has relocated old buildings from around the area into the same place, preserving Japan’s architectural past, and exhibiting the lifestyles of the local people. This visit was a particular highlight of Takayama, and is a must-see for anyone who’s considering going.

 

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Shrine in Hida Folk Village

There are several routes through the ‘village’ for visitors, the shortest estimated to take 15 minute, and the longest estimated at an hour. We chose the longer route, and it took us about two hours. In our defence however, Dad reads everything in museums, and I joined in on one of several ‘traditional craft’ opportunities, and painted a little ‘lucky cat’.

 

We stopped for an ice-cream when we were done, and then pottered down the road to the Hide Takayama Museum of Art, which was displaying some pieces of Art Nouveaux. From the old, to something a little more modern, this was a good exhibition, but was rather short for what it was. As lovers of the style, Dad and I thought several of the pieces on display were fantastic—in particular, a large, ornate mirror that was (as you might imagine) rather difficult to photograph. Visitors of the region who are interested in Art Nouveaux should definitely stop by the museum, but for those whom it doesn’t interest, or who are pressed for time, you can always just pull into the carpark to admire the red double-decker London bus parked outside.

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Two girls in yukata on the Nakabashi Bridge

Returning to the Sanmachi for the third time, Dad and I tried our luck at the Archaeological Museum again, only to find it was once-more closed. Fortunately the Fujii Folk Museum was still open, and we enjoyed three floors of assorted bits and bobs, including a display of beautifully detailed kimono (traditional Japanese clothes), painted scrolls, ornate pipes, creepy dolls and a collection of katana.

 

With the town no longer saturated by a mass of moving people, we were able to enjoy the old-streets of the Sanmachi as we walked back toward the Jinya, across the Nakabashi bridge, to soak up a little sun before dinner.

Back at the hotel, having had one final, glorious soak in the baths, we met for our customary cup of sake and discussed the best part, and the worst part of the first chapter of our holiday. We reflected that we’d been lucky with the hotel, (it really comes highly recommended for anyone looking to stay), and agreed we were both a little disappointment with the festival, which we’d hoped would be a little more exciting. All in all though, it was an excellent start to the holiday.

The Best Part—the Hida Folk Village

The Worst Part—Walking through the snow, in the dark, with a buggered knee.


THE VAUGHANS IN JAPAN – CHAPTER ONE: TAKAYAMA!

 

The Vaughans in Japan – CHAPTER ONE: TAKAYAMA!

“Let’s go back to Japan.” – An old, Vaughan proverb.

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Three Vaughans in Kyoto – 2011

Six years ago, I accompanied my parents on their first visit to Japan. Having already been myself, three times, and having studied Japanese for several years in school, I was put in a unique position of power that was usually reserved for my mother—the linguist of the family. I held the words and the lay of the land—where we went, what we saw, and—most importantly—what we ate was almost entirely at my discretion.

I must have done something right, because the holiday was hailed as a great success, and since then, the phrase “let’s go back to Japan,” has floated around the Vaughan household, popping up intermittently.

After my mother died two years ago, my Dad finally retired from work and took to a nomadic life. Keeping track of him since has proved difficult, as I’m never entirely sure which continent he’s on, let alone which country. Travel is a balm to an energetic, curious soul.

Suddenly, that phrase “let’s go back to Japan” stopped being a mere fancy, and started to involve booking flights and accommodation. And thus, here we are—the Vaughans (two of us, at least) return to Japan at last, and this time for a full three weeks.

The trip has been split into four sections: Takayama, Kyoto, Kumamoto and Hakone, with a day in Tokyo on either side. Whilst Dad writes his diary daily, and keeps tracks of his adventures in a small, discrete note-book, I felt I’d chronicle our journey in a slightly flashier way, as we proceed through the chapters of our journey.


CHAPTER ONE: Takayama

13—16th of April, 2017

We left from London Heathrow on the 11th of April, flying BA to Narita airport. It was a twelve hour flight which got us into Japan at around noon on the 12th, (4:00 AM English time). Jet-lagged and a little bleary, we organised our tickets for the shinkansen (bullet train), and made out way via train and taxi to our hotel.

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Tokyo Tower

Conscious that the best way to beat the jet-lag was not to succumb to the desperate, clawing urge to sleep, we set out into the streets of Tokyo just as night fell, to scavenge some food. The mid-April weather was very pleasant, the evening cool and refreshing. We stopped for ramen—always the easiest go-to!—and then went for a little walk. The hotel offered us an excellent view of Tokyo Tower, which was lit up brightly in red, and stood out vividly across the night sky.

As we wondered back I thought I saw snow falling across the road. Confused, I looked again, only to discover it was actually the gentle, meandering descent of several sakura blossoms. Japan’s famous cherry blossoms attract many people in Spring (ourselves included) to the parks and beautiful gardens that are scattered across the country.

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Sakura sapling flowering  in Takayam

A few blossoms falling onto the life-less concrete of a Tokyo side-street hardly sounds like something that would capture the imagination…However, whilst it might have been twenty-four hours of no sleep and almost solid travel, I was enthralled by this serene display. In particular because there were no actual sakura trees in sight—the petals had merely drifted on the wind from someone’s garden. Where I adept at poetry, I might have come up with something profound to mark the experience—the brevity of serenity or the quiet presence of nature even in our modern world…

Instead, I elbowed my Dad and went, “Look—sakura!”

To which he responded, “What?”

The following day, we rose early and made our way to Tokyo Station. We took the Shinkansen to Toyama, which was a comfortable journey, about two hours long. At Toyama we changed onto the Hida Wide-view limited-express train, heading toward Takayama station. This journey was an hour and a half and very scenic. The train was quite full, with people standing in the aisles. If anyone is planning on heading to Takayama on this route, particularly during festival time, I would advise reserving your seats, or getting to the platform nice and early!

We got into Takayama in the early afternoon. The town was a buzz with activity, tourists coming from every corner of the globe. We counted Americans, Australians, Germans, Philippians, Chinese, French, Canadian, Russian and many more among the people we saw! Dad was particularly impressed with me when I was able to make our a few Japanese tourists as well—people from Kyoto in particular have a distinctive accent!

With the town so busy, we weren’t able to book a hotel in it, and thus chose a rather lovely spot in Shinhodaka instead, about an hour’s drive away. This turned out to be an incredibly good decision, for reasons which I will detail later.

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The mountainous drive up to Shinhodaka

We hired a car and enjoyed an incredibly scenic and lovely drive up. My Dad, who’s one of those crazy people who sees mountains and goes, “I should climb that,” is well versed in driving through mountainous regions, and thus had no problem getting us there, having had a lot of practise already in the alps and in Switzerland. We were both quite surprised to discover snow as we got higher, and to find several ski resorts and slopes. Trust my father, mountaineering and skiing fanatic, to take me all the way to Japan and still somehow find the ski slopes here. He swore it wasn’t on purpose, but I’m beginning to think he has a special, innate sense for it.

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The Hotakasa Yamano Hotel

We arrived at the Hotakasa Yamano Hotel, which was very picturesque, perched on the side of the mountain, with lovely views, and a well-decorated interior and exterior. The rooms were comfy and warm, and provided free yukata (traditional Japanese clothing) which I was incredibly excited about. Dad and I donned ourselves in these, and went downstairs to enjoy a hot footbath as we planned our next day.

We finished the night with a lavish Japanese meal at the hotel restaurant, and then retired early, ready to head out and explore.


Day 1 – Takayama Festival

14th of April

We started early. It was a beautiful day, with streaming sunshine and crisp blue skies. Dad and I had an enormous Japanese breakfast at the hotel, which mostly consisted of Dad pointing at the various, delicately placed food and asking me, “What’s this?”

“I don’t know. Just put it in your mouth and eat it.”

‘What am I eating now’ is probably one of the most common games we play in Japan. Traditional Japanese food is usually very artful, extremely tasty, and always a little enigmatic.

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One of the Takayama marionettes

After breakfast, we headed off immediately for Takayama, to go and join the festival. Takayama has two major festivals, one in Spring and one in Autumn. The spring festival consists of large, ornate floats being paraded through the streets. On-top of these floats are marionettes, which are operated by a dozen strings, and a whole team of people. The floats only appear twice a year, so it’s quite spectacular to catch a glimpse of them.

We started our tour of Takayama by walking through the Sanmachi—an area full of

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One of the Sanmachi Streets

traditional buildings. This was lined with various shops displaying Japanese crafts, as well as food stalls and restaurants. We walked the length of the street down toward the big red Nakabashi bridge, crossing the river toward the Takayama Jinya—the old government house in Takayama. Here we got our first glimpse of the floats, which were out on display. Photo opportunities were made quite difficult by the size of the crowd, so we didn’t linger long, and went to go and see inside the Takayama Jinya instead.

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Inner garden of the Takayama Jinya

This was an enjoyable experience, and well worth the ticket price. The building was large, and—unlike in many places—photography was actually allowed. Each of the rooms had a little signpost in Japanese and English to tell us what the area was used for—this ranged from a meeting hall, to the ‘interrogation’ (read torture) room. I particularly liked the peaceful inner garden, and the tiny little box room, which was especially designed for tea-ceremonies.

Having finished the Jinya, Dad and I decided to wonder down the main-street toward where a long line of festival stalls had been set up. Mouth-watering smells saturated the air, and large groups of children gathered around game stalls, trying to win prizes, or catch fish with paper nets! I stopped to buy a pastry filled with anko (red-bean paste), a sweet treat that is a particular favourite, and then horrified Dad by buying some takoyaki, a sort of dumpling with octopus tentacles inside.

“Better you than me,” he said, with a grimace as I put one in my mouth.

“Delicious.”

We returned to the floats for 14:30, to see the marionette performances. The crowd was now at a suffocating level, and extended all the way back to the bridge. Some people who were gathered at the front, had been there for an hour already, standing in the full heat of the sun just to ensure they had a good spot. Telephoto lenses on our cameras, and the fact that the marionettes are at the top of the floats, however meant that Dad and I were fine, even from so far back.

I confess, as impressive as the marionettes were—some being operated by over 30 strings!—the performance was a little repetitive, and after a while, Dad and I gave up, and slipped out from the crowd. The strange, slightly hypnotic music used to accompany the marionettes, followed us up the road as we headed uphill toward the Shiroyama park. We decided to do the Higashiyama walking course, which takes you up through the hills, and then around back into town on a route that passes by the significant shrines and temples in the area.

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The Shiroyama Park

Having injured my leg in January (I ruptured the ligaments in my knee) the walk was a little tough. That being said, it was well worth it. Walking up into the forested hills was like entering another world—this was the place of the mononoke and yokai—Japanese spirits and demons, that are similar in many ways to the unfriendly faeries and sprites of Celtic mythology. The atmosphere was only increased by the fact we could still hear the rhythmic beating of the drum and the sigh of the music from down in the town.

A warning to anyone who does decide to do the walk—the free walking map you get at the festival is useless on this route. If you don’t know the area or have a proper map, you need some initiative and a good sense of direction not to get lost. Fortunately for me, Dad is an explorer extraordinaire, and between my basic ability to recognise a few kanji (Japanese words, based on Chinese letters) and his innate understanding of mountain paths, we managed to find our way out. This was a relief, as at the top of the hill we found a helpful sign that warned hikers that there were bears in the woods. This might have been more useful at the entrance, where we could have turned back, rather than in the middle, at the point of no-return.

That would have been an interesting call to my brother back in England.

“How’s Japan?”

“Well we’re lost on a mountain and Dad’s wrestling a bear, but other than that…”

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Temple on the Higashiyama Walking Route

Having managed to emerge from the forest without being mauled, Dad and I stopped off at several of the temples on the route, before giving up the walk—after the climb, my leg was really starting to ache, and the last thing we wanted was for me to cripple myself on the first day of the holiday.

We proceeded back into town, and found a pleasant spot for an early dinner—more ramen!

It’s advised that people attending the festival stick around in the evening to see the floats being processed through the streets, donned with lanterns. However, with the hour-long drive we faced back to the hotel, coupled with the drag of jet-leg, Dad and I decided to head back early, rather than stick around until 20:00. This was ultimately a good decision, as the darkness came in fast, and both of us were getting incredibly sleepy.

Back at the hotel, we donned ourselves in the yukata and both went to the public baths. Japanese baths are great, as are onsen (hot-springs) of which there are an abundance in the mountains. You shower in a separate area and wash yourself down, and then go and soak in a lovely, hot pool. The one at the hotel had separate baths for men and women—inside and out. This is not for people who are body-shy, because swimming costumes and the like are not permitted—you’re naked all the way. However, for anyone who is unsure, I really recommend biting the bullet and giving it a go—it’s a great experience. With the chill of the mountain air, slipping into the hot water of the rock-pool outside and bathing beneath the stars was luxurious.

Loose and relaxed from the baths, Dad and I met up again for an evening drink, where we sat together and chatted over a bottle of sake (rice wine), before retiring to our rooms for an early night.


THE VAUGHANS IN JAPAN – CHAPTER ONE: TAKAYAMA 2!

Blood of the Delphi – COVER REVEAL

 

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“Praise Harmatia, it is a city of gold and light. Praise it until it crumbles to dust.”

Rufus Merle is a wanted man. After twelve years on the run, raising the infant Prince Joshua, the last of the Delphi line now stands in grave peril. Sick, friendless and out of places to hide, Rufus and Joshua are hunted by dangerous alchemists, a deranged assassin, and a powerful faerie goddess, who will do everything in her power to turn Rufus into a living weapon.

With the net closing around them, and the sparks of unrest and rebellion igniting across the Kingdom, Arlen Zachary is forced to question his own allegiance between the Crown, and the people he swore to protect. As the gods play their hands, and the ancient Sidhe prepare to settle a century old feud, Harmatia trembles under the tyrannical rule of a King, whose only commitment is to the dead.

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THE HARMATIA CYCLE – PUBLISHING NEWS

Hello my wonderful readers!

I have some very important news for you all. Last night, my Publisher The Zharmae Publishing Press announced that they would be closing down. As of the 31st of August, The Sons of Thestian will no longer be available for purchase.

The news came suddenly, but fortunately I have a back-up plan, which I will now be implementing.

For those of you waiting for Blood of the Delphi, it is still going to be released! I have decided to self-publish my work, and though I may have to push the publishing date (possibly to December), I am going to be fighting tooth and nail to make sure that the book is released this year!

What’s more, I will be publishing the 2nd Edition of The Sons of Thestian hopefully at the same time, for any who want a new, matching set.
I will be working on making sure the prices for the books are lower, that the quality is higher, and that they are more easily available for anyone who wants to read them.

As I try to sort through this process and get everything together, I
cannot guarantee that there won’t be further delays. These delays are as frustrating for me, as they are for you, and I hope you will all be patient with me. Your readership, your support, is incredibly important to me, and I want you all to know how much I appreciate it and your loyalty.

I hope you will continue to support me, and my work. I will post updates as regularly as I can, and the moment I have more information, I will make it available.

In the meantime, you can expect the following from me:
1) I will be publishing a short-story with the Random Writers this September. This is a short based on my next project The Kestrel Saga, and I am incredibly excited to share it. More details to follow.
2) I will be releasing images for the Cover-art for Blood of the Delphi, and will be commissioning new matching cover-art for The Sons of Thestian, which will also be released soon.
3) I will be working on designs for merchandise, and other nick-knacks for any fans who may be interested (Message me, and tell me what you’d like! – Notebooks? Stickers? Badges? Posters?)

I am, as always, open to any questions or queries, and will remain highly active in the coming months. I will be seeking the advice of other writers who have gone down this path, and will be doing my upmost to get it all right and perfect for you guys.

Again, I ask your patience during this time, your continued support and thank you for everything you’ve done so far. I have some exciting plans for the future, and I hope you’ll all be there to see me realise them!

In the meantime, if you would like to keep track of what’s happening, please show your support by subscribing to my monthly newsletter here!

Many thanks everyone!

Creating Loki – Writing for Video Games

I wrote the following article as part of a series for Enigmatic Studios to promote our upcoming game A Tale of Three – Loki. The original posting can be found here.

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Loki began, as so many characters and stories do, with a question. It was a question about the qualities I felt most represented me as an individual, and about which of those, if I found myself bound into a fictional universe and dosed in magical juju, would define me.

The answer of course, was story-telling. It’s just what I do. And that’s where Loki began.

I feel it worth stressing here that Loki is not, and has never been, just another version of me. She was merely born of a part of me that allowed me and my associates to fill her out and create the world around her. Before we knew anything else about Loki, even before we knew her name, and the world she came from, we understood a fundamental aspect of her: she was a story-teller like all of us. And from there, the rest of it all grew.

The decision to name our bard Loki was based on two elements. The first was the Nordic setting we decided to focus on, feeling that this was the best place to put our bard, and let her flourish. The second was the fact that Loki was a bard, and there is no greater weaver of lies and stories in Norse Mythology, than the mischievous Loki, of whom I have studied for years. Now Loki (the god), has always been of interest to me, not least because of his interpretations in modern fiction – I’m looking at you Marvel – and because of the general understanding of him as a villain. I, personally, have always understood Loki (the god) differently. He – or she, as Loki lived several lives and was want to switch genders and, occasionally, species – was someone who had a greater understanding of humanity than the rest of the Asgardians put together. He lived several lives as a human, going through cycles, living amongst them, weaving tales and spreading mythology, being child, mother and then grandmother. Loki’s purpose, as I saw it, was to be a bridge between the worlds, and to bring the lofty Asgardians down from their high-horses and remind them always of their own mortality and infallibility. He insulted them, he tricked them, he mocked them, and ultimately he destroyed them.

Our Loki, thus, came from a similar mold. Whilst not a god, we chose to make her a Mage, able to use her voice to hypnotise and control, as any good story-teller strives to do in captivating their audience. And just like the god she was named after, Loki too once stood among the powerful and great, and left their lofty halls to live a simple life among humanity, weaving tales. We also gave Loki the same flaws as the god, which is that whilst she is capable, and almost designed to topple the tyrants, she stands the risk of forgetting, or disregarding her own mortality in the process.

And thus, we had Loki’s background, her personality and a basis for the world she lived in. We knew who she was. And that led us to our next question:

If Loki was now living a life of peace, pursuing her passion of storytelling, then what could bring her back into the fray of danger?

The answer to that, well…We got the plot to our game.


 

To find out more about Loki, and the game, why not follow us on facebook, or find more articles from our coders, writers and artists on blogspot!

The Witches of Macbeth: Echoes of the Ancient Faerie

“When shall we three meet again / In thunder, lightening or in rain?”

 (W.Shakespeare – The Complete Works of William Shakespeare: Macbeth 1.1, page 858, lines 1-2)

The Witches of Macbeth are recognised throughout the Western World as an archetype which has been popularised over centuries, spawning dozens of interpretations, spin-offs and reincarnations in production and literature. Even Harry Potter, which recreates witches in a benevolent light, referenced Macbeth in its third movie The Prisoner of Azkaban, using the spell from act 3, scene 1 for the song ‘Double Trouble’.

Needless to say, we are all very familiar with these characters, who struck such terror into the heart of King James I that he banned the play for five years after first watching it.  It is possible, however, that these well-known characters are actually echoes of much older figures in mythology. The play’s Scottish setting, as well as certain passages, lends itself to the idea that Shakespeare’s Witches may actually be faeries in disguise.  Through an analysis of imagery, historical context, and the evolution of mythology, we can begin to uncover the source materials that Shakespeare may have drawn from when writing his famous play.

              …plays on magic suddenly became of vital concern in the 1580s and continued to be such a compelling subject on the stage until 1620s…the interest in plays about magic also correlates directly with a resurgence of pamphlet literature on alchemy and other Hermetic subjects, as well as with an increase in the number of works published on mathematics, applied science, and Paracelsian medicine…

              (J.S. Mebane – Renaissance Magic & the Return of the Golden Age, page 6, lines 12-20).

Macbeth was written in 1606, during a time of great innovation. The previous Tudor reign had left England in a state of flux with a lot of churning religious politics, and many free-thinkers were beginning to emerge. Similar to the Victorian era which also boasted a rapid progression in industry, both periods saw a rekindled interest in mythology and magic, which is reflected in their literature.

Previous to Macbeth, between 1590 and 1594, Edmund Spencer published a poem called The Faerie Queen. The poem earned him high favour in the court, due to it being in part an appraisal of Queen Elizabeth I, whom the poem alluded to being a descendent of King Arthur. The appropriation of the Arthurian mythos into the Tudor family was not only designed to flatter, but also emphasised the ideal of the Tudors’ divine ruling right. King Henry VIII, Queen Elizabeth I’s father, made a claim on King Arthur himself by commissioning the painting of the Winchester Round Table. The table, believed at the time to be the original of legend, was painted with an effigy of King Arthur based on King Henry VIII.

The Faerie Queen also featured Elizabeth I as a parallel of Gloriana, the Faerie Queen herself.  Previous to this, the word ‘faerie’ was actually used to describe the place in Celtic mythology where supernatural beings resided, rather than the beings themselves. The term faerie then, as it was used by Spencer, was a modern appropriation that allowed him to reshape the image of legendary figures such as the sidhe into more appropriate, Christianised figures. Just as with Henry VIII’s claim on King Arthur, faeries and folk-lore were being evolved and shaped into a literary tool in which to spread the ‘right’ ideals to the English public. For example; in Act 1, scene 4 of Romeo and Juliet, Mercutio’s passing speech about ‘Queen Mab’ states:

O’er ladies ‘ lips, who straight on kisses dream
              Which oft the angry Mab with blisters plagues 
              Because their breaths with sweetmeats tainted are: 

               (W. Shakespeare – The Complete Works of William Shakespeare: Rome & Juliet 1.4, page 251, lines 76-81)

Mab, who brings young lovers pleasant dreams of kissing, will then punish women for these unchaste desires. She will help women, however, in doing their wifely duty and ‘bearing the load’ of their husbands. This is more a reflection of a Christian male agenda, than one of original faerie disposition. Faeries in mythology were usually more likely to punish lechery in men, than in women.

Data recorded by Alan Macfarlane for his book Witchcraft in Tudor and Stuart England, revealed that in correlation with the public’s renewed interest in magic, 1560 to 1650 also saw a rapid rise in the number of witch trials in Britain. Witches, who were believed to be in commune with the Devil, could be blamed for any number of things, including storms, illness and death in the family.

The number of Witch Trials peaked under James I, who succeeded Elizabeth in 1603. James, who instigated the North Berwick Witch Trials, where several ‘witches’ confessed under extreme duress, considered himself to be an expert in the subject. His book, Demonology, contains precise instructions on the hunting, and appropriate tortures for witches. James’s paranoia about witches led him to pass a new Witchcraft Act in 1604 which made the summoning of spirits punishable by death. His obsession, according to James Sharpe in his work Instruments of Darkness: Witchcraft in England, 1559-1759, may have also prompted the trial of the Lancashire Witches, orchestrated by local magistrates keen to earn the King’s favour.

The fear of conspiracy, renewed by the infamous Catholic gun-powder plot, and the public’s obsession with witches, gave Shakespeare the perfect setting for Macbeth. In it, he combined these two elements to create the ultimate drama for his audience. The Witches’ characters however were defined by another characteristic which made them pariahs in the eyes of the Shakespearian audience. It is this aspect which encourages the school of thought that the Witches may be faeries in disguise.

At this time, there were two popular images of the faerie, both of which feature in Shakespeare’s A Midsummer’s Night Dream. One was of a small, mischievous creature, like Puck who was almost always androgynous or male, and the other was the elegant, courtly faeries like Oberon and Titania. Rather than be based in mythology, the Courtly Faeries were a reflection of the Tudor and Stuart Courts, and therefore they reflected the suppression of women during this era. Women, both faerie and real alike, were summarised by their beauty and their virtue. Those found lacking in these qualities would often be condemned, regardless of status.

The Witches of Macbeth were different. They were not beautiful, they were not virtuous, and they possessed great power onto themselves which they used as they wished. On the one occasion they bow to a higher power, it is not to the masculine figure of the Devil, but instead to the goddess Hecate. This female empowerment would have been all the more baffling in the male-centric Stuart Court. Indeed, Sir Anthony Weldon, in his The Court and Character of King James, remarked of James I that he actually ‘hated women’. The strength of this statement, though made in regards to James’s sexuality, does seem to imply that his disregard went beyond preference. He, and his court, would have no doubt felt intimidated and undermined by this ‘unnatural’ reversal of power in a patriarchal society.

This empowerment is not the only aspect of the Witches which echoes the original faeries of mythology. The Witches’ behaviour can be closely compared with a Breton faerie known as a ‘Korrigan’. The Korrigans, in Breton Folk-lore were water spirits often attributed with the power of fore-sight. They enjoyed kidnapping children, had an immoral disposition, and like many faeries possessed a predilection for meddling. Described to be ugly, red-eyed and wrinkly when seen in daylight, they also had a connection with the ancient Celtic religion.

       What distinguishes the Breton version is their association, in oral folk-lore, with ancient worshipers of earth goddess or with women druids, from whom the korrigans are said to be descended.

              (P. Monaghan – The Encyclopedia of Celtic Mythology and Folklore, p. 275, lines 25-29)

It can be logically proposed then that the Witches could be korrigans themselves, the priestesses of an ancient religion that predated Christianity. The setting choice to include Hecate rather than use the Devil favours this idea. This distinction separates the Witches from Christianity not by aligning them with the Devil, but by connecting them to a much older religion.

Historically, the repression of the Celtic tradition in the British Isles was done through the demonization of beliefs. Druids, who were the academics and spiritual teachers of Celtic society, were diminished to the role of conjurer or mage. The old Celtic Gods became the faeries of mythology, and some traditions even merged the religions by stating that faeries themselves were fallen angels. As the Celtic people faded into history, their gods and beliefs, which Christianity demonised, were appropriated.  But the domestication of these old gods, retitled by Spencer as faeries, left a power vacuum, which witches subsequently occupied. This may be why Shakespeare chose, knowingly or not, to refer to his characters as ‘witches’ rather than ‘faeries’, even though they demonstrate typical faerie behaviour.

The inclusion of Hecate gives another strong connection between the Witches and faeries. Hecate, who originated from Greek mythology, holds no place in the Celtic Tradition. However, in Shakespeare’s A Midsummer’s Night Dream, he created a link between faeries and the Greek gods by setting his play in Athens, and including mentions of the goddess Diana. Macbeth, in contrast, is obviously set in Scotland, but the renaming of Celtic Gods with Roman or Greek equivalents was a regular practise in writing. Julius Caesar himself, in describing the Celts during his invasion of Gaul, used the names of his own gods when referring to their beliefs.

The avid suppression of the Celtic lifestyle, meant that Shakespeare’s English audience were likely to be far more acquainted with the Roman and Greek gods, than the Celtic ones. Hecate would be better known to the English public, than Morrigan, who is likely to be Hecate’s equivalent in the play.

Morrigan, who is a prominent figure in both the Mythological and Ulster Cycles of Irish Mythology, is a complex character. In some versions of the mythology, she is one of three sisters who together make up aspects of a war goddess, whilst in others the Morrigan is onto itself a trio of the three sisters called Badh, Macha and Nemain. Interestingly, and straight away, we are given this theme of ‘three’ which reoccurs in Macbeth. Now, some arguments claim that Hecate was a late edition to the play that Shakespeare did not include. Even if this is so, the Witches could, in their set of three, still represent the Morrigan themselves.

In Irish Lore, the Morrigan was often considered as the goddess of war. She could foretell deaths, transform into various shapes, and could influence the direction of a battle by giving courage, or striking fear into the hearts of her enemies. She also had a strong connection with the earth and the underworld. If we disregard the Witches’ ability to conjure storms, which was a reference to the aforementioned North Berwick Witch Trials conducted by James I in the belief that witches sent storms to sink his boat, the rest of their abilities are highly in-keeping with Morrigan.

All of the Witches predictions to Macbeth are predictions of death. Their prophecy that he will be Thane of Cawdor, and then King is based on the capture and impending death of the previous Thane, and the future death of Duncun. The Witches also, through their influencing of Macbeth, would withhold and twist information, but always told the truth. This is not in keeping with the perception of witches in Shakespearian society, who were regarded as notorious liars. It does, however, ring similar with the Morrigan who, as one of the Tuatha de Danaan, could not lie. The inability to lie is a common theme in mythology with the sidhe and other faeries too.

There remains one final key factor to the theory that the Witches of Macbeth may be faeries or Celtic Priestesses in disguise, and that is that at only one point in the play, outside of the stage-directions, are they ever referred to as witches at all. This happens early in the play, when the First Witch recounts a conversation she had with a woman, who refused her chestnuts and called her a ‘Witch’.

  ‘Aroint thee, witch!’ the rump-fed ronyon cries

 (W.Shakespeare – The Complete Works of William Shakespeare: Macbeth 1.3, page 869, line 6)

Considering the associated risk and repercussions, it is unlikely that a woman would knowingly deny and anger a witch. As such, her usage of the word ‘witch’ may have only been intended as an insult, rather than a direct label. If this is the case, than she could not have called her a ‘faerie’, simply because the audiences would associate that with beauty and virtue. Beyond this singular usage of the word, there are few indications in the dialogue that the ‘weird sisters’ as they are more commonly called, are witches at all.

Whether Shakespeare wrote the Witches as faeries and then substituted the names to pander to the King, or whether he too was a victim of the amalgamation of mythologies and superstitions around him, we can never know.  Of one thing however we can be certain: the Witches of Macbeth are timeless figures who have existed in one form or another for thousands of years. And as long as they resonate with our fear of the unknown and the unnatural, they will continue to exist among us in the darkest hollows of our literature and our myths.

 

REFERENCES

 

BOOKS:

Macfarlane A. 1970. Witchcraft in Tudor and Stuart England: A Regional and Comparative Study. Harper & Row

MacKillop J. 1998. Dictionary of Celtic mythology. Oxford University Press.

Mebane J. 1989. Renaissance Magic & The Return of the Golden Age. University of Nebraska Press

Monaghan P. 2004.  The Encyclopedia of Celtic Mythology and Folklore. Infobase Publishing

Shakespeare W. 1994. The Complete Works of Shakespeare (First Published 1623 by Edward Blount, and William and Isaac Jaggard) Barnes & Nobles, Inc.

Sharpe J. 1996. Instruments of Darkness: Witchcraft in England, 1559-1759. Hamish Hamilton

Spender E. 2008. The Faerie Queen (First Published in two parts in 1590 and 1594) Hackett Publishing Co, Inc

Stuart J. 2008. Demonology (First Published 1597 by King James VI of Scotland) Forgotten Books

Weldon A. 2009. The Court and Character of King James (First Published by R.I. in 1650) Kessinger Publisher

ONLINE:

Caesar J. 1994.  Commentarii de Bello Gallio: Commentaries on the Gallic War (First Published by Julius Caesar 58-49 BC) translated by W.A. McDevitte, W.A. and W.S. Bohn. [Online] [Accessed 20 November, 2015] Available from:
http://classics.mit.edu/Caesar/gallic.html

FILMS: 

Harry Potter & The Prisoner of Azkaban. (2004) directed by lfonso Cuarón [Film] USA: Warner Bros

 

This article was originally published in the 2016 British Fantasy Society Journal, Issue 15 edited by Allen Stroud.
Find out more about the BFS at http://www.britishfantasysociety.co.uk